The music’s so loud, the notes are hardly distinguishable from one another. I fantasize about taking Kent’s hand and pulling him away somewhere quiet and dark. The room downstairs, maybe, or the woods, or someplace farther. Maybe we’ll just get in the car and drive.
“Sam! Sam!”
I look up. In the back room Lindsay’s climbed onto one of the couches, waving at me over the tide of bobbing heads. Ally’s next to her, and several feet beyond them I see Elody whispering something to Steve Dough.
I hesitate, a sense of hopelessness washing over me. It’s ridiculous for me to talk to Kent. I have no words to describe how wrong I’ve been about him, about Rob, about everyone. I don’t think I can explain to him how I’ve been changing. And maybe it’s all a lie, anyway. Maybe it’s impossible to change.
In that moment, while I’m teetering between two doorways, the people around me get all quiet and hushed, faces growing slack. Up on the couch Lindsay falters, her hand flapping uselessly to her side. Next to her, Ally begins opening and shutting her mouth like a fish. The buzzing is all through my body now, like the hum of an electrical wire.
And there she is, marching down the hallway. After all that: Juliet Sykes on a mission.
In a second the despair, the hopelessness, the sense of forgetting things or missing the point somehow, all gets transformed into rage. When she sees Lindsay she stops and opens her mouth, going straight into her “you’re a bitch” routine, but I don’t even let the first word escape from her mouth before I’m charging forward, grabbing her arm, and half dragging her backward down the hallway. She’s too surprised to fight me.
I pull her into the nearest bathroom—“Out,” I order two girls who are primping in front of the mirror—and slam the door and lock it. When I turn around to face her she’s staring at me like I’m the psychopath.
“What are you doing?”
She must misunderstand my question. “It’s a party,” she says with soft insistence. When she’s not busy freaking out and calling me a bitch she has a nice voice, musical like Elody’s. “I’m allowed to be here like everybody else.”
“No.” I shake my head, pressing fingers to my temples to keep them from pounding. “I mean, what are you really doing? Why are you here?”
Her eyes flutter to the doorknob behind me. I move over so it’s wedged into my lower back. If she wants to get out, she’ll have to move me out of the way.
Apparently she doesn’t like her chances, because she takes a long, slow breath. “I came to tell you something. You, and Lindsay, and Elody, and Ally.”
“Oh, yeah? What’s that?”
“You’re a bitch,” she says quietly, not like an accusation at all, more like something she’s sorry about.
At the same time she says it, I say it with her. “I’m a bitch.”
She stares at me.
“Listen, Juliet”—I rake my hands through my hair—“I know we haven’t always been nice to you or whatever. And I really feel bad about it—I do.” I try to gauge what she’s thinking, but it’s like something has shut down behind her eyes, a button switching off, and she just stands there staring at me dully. I rush on, “The thing is, we never really meant anything by it, you know? I don’t think I—we—really thought about it. It’s just the kind of thing that happens. People used to make fun of me all the time.” She’s making me nervous, just staring like that, and I lick my lips. “All the time. And, like, I don’t think it’s really because people are mean or bad or whatever. I just think…I just think…” I’m fighting to find the words. Memories are colliding in my head: the sound of people singing as I walked down the hall, the smell of ice cream on Lindsay’s breath the day we threw Beth’s tampons out the window, riding a horse through a blur of trees. “I just think that people don’t think. They don’t know. We—I—didn’t know.”
I feel pretty proud of myself for getting all of that out. But Juliet hasn’t moved or smiled or even freaked out. She’s so still she could be carved out of stone. Finally a little tremor goes through her, a personal earthquake, and her eyes seem to focus on me.
“You haven’t always been that nice to me?” she says dully, and my stomach sinks. She didn’t hear a word I said.
“I—yeah. And I’m sorry about that.”
Her eyelids flutter. “In seventh grade you and Lindsay stole all my clothes from the locker room so I had to walk around in my sweaty gym clothes for the rest of the day. Then you called me Stinky Sykes.”
“I—I’m sorry. I don’t remember that.” The way she’s staring at me is awful, like she’s seeing in and through and beyond me to some void.
“That was before you came up with Psycho, of course.” Juliet’s voice has lost its musical quality. It’s completely toneless. She raises her arm and mimes slashing a knife through the air, emitting a series of high-pitched shrieks that send chills up and down my arms, and for a moment I think maybe she is crazy. Then she drops her arm. “Real funny. Psycho killer, qu’est-ce que c’est. Catchy.”
“People used to tell this really dumb joke about me. Kind of sing it when I walked by. What’s red and white and weird all over…” I’m hoping to make her laugh or twitch or something, but she just keeps staring at me with that dumb, animal look on her face, a blank.