Once the door is shut it’s pitch-black. The darkness around us hasn’t let up at all—either there are no windows here or they’re curtained off. It’s so dark it’s almost heavy-looking, and I get a sudden hysterical fear that we’re stuck in a box. Rob’s lurching on his feet so much by this point, his arms locked around me, it makes me dizzy. I feel a wave of nausea, and I push him backward until we encounter something soft: a bed. He tips over and I climb on top of him.
“Wait,” he mumbles.
“Isn’t this what you wanted?” I whisper. Even now I can hear the sounds of laughter and the screaming—Psycho, Psycho—piping thinly over the music. I kiss Rob harder and he wrestles with the zipper of my dress. I hear fabric ripping but I don’t care. I slide the dress down to my waist, and Rob starts his attack on my bra.
“Are you shure about this?” Rob slurs in my ear.
“Just kiss me.” Psycho, Psycho. The voices are echoing down the hall. I slide my hands under Rob’s fleece and wrestle it over his head, then start kissing his neck and underneath the collar of his polo shirt. His skin tastes like sweat and salt and cigarettes, but I keep kissing while his hands move over my back and down toward my butt. An image of Mr. Daimler on top of me—and the speckled ceiling—rises out of the darkness, but I push it away.
I take Rob’s shirt off so now we’re pressed chest-to-chest. Our skin keeps making these weird, slurpy, suctiony sounds as our stomachs come together and then pop apart. At a certain point his hands fall away. I’m still kissing him, moving down his chest, feeling the fuzz of hair scattered there. Chest hair has always grossed me out; it’s another thing I don’t think about tonight.
Rob’s gotten quiet. He’s probably shocked. I’ve never even done this much with him before. Normally when we hook up he’s the one who takes charge. I’ve always been afraid I’ll do something wrong. It feels so awkward to act like you know what you’re doing. I’ve never even been totally naked with him.
“Rob?” I whisper, and he moans quietly. My arms are shaking from holding my weight up for so long so I stand up. “Do you want me to take my dress off?”
Silence. My heart is beating fast, and even though the room is cold, sweat is tickling my underarms. “Rob?” I repeat.
All of a sudden he lets out an enormous, honking snore and rolls over. The snores continue, long waves of them.
For a while I just stand there and listen to it. When Rob snores it’s always reminded me of when I was little and used to sit on the front porch and watch my dad make narrow circles on the back of his six-year-old Sears ride-on mower, which growled so badly I had to cover my ears. I never went inside, though. I loved to watch the neat little compact tracks of green my dad left in his wake, hundreds of tiny blades of grass spinning through the air like ballerinas.
It’s so dark in the room it takes me forever to find my bra and stupid fur thing; I have to grope on my hands and knees for them. I’m not upset. I’m not feeling much of anything, not really thinking, just ticking off things I have to do. Find the bra. Hitch up the dress. Get out the door.
I slip into the hallway. The music’s pumping at a normal volume, and people are flowing in and out of the back room. Juliet Sykes is gone.
A couple of people give me weird looks. I’m sure I’m a mess but don’t have the energy to care. It’s amazing how well I’m holding it together, actually, and even though my brain is foggy I think that very clearly: It’s amazing how well you’re holding it together. I think, Lindsay would be proud.
“Your dress isn’t zipped.” Carly Jablonski giggles at me.
Behind her someone says, “What were you doing in there?”
I ignore them. I just keep moving—floating, really, without really knowing where I’m headed—drifting down the stairs and out onto the wraparound porch and, when the cold hits me like a punch, back into the house and into the kitchen. Suddenly the idea of the dark, quiet house lying peacefully beyond the DO NOT ENTER sign, full of moonlit squares and the quiet tickings of old clocks, seems appealing. So I go that way, beyond the door, through the dining room, through the alcove where Tara spilled the vase, my boots crunching on the glass, into the living room.
One wall is almost all windows. It faces out onto the front lawn. Outside, the night looks silvery and frosted, all the trees wrapped in a shroud of ice, like they’ve been built out of plaster. I begin to wonder if everything in this world, the world I’m stuck in, is just a replica, a cheap imitation of the real thing. Then I sit down on the carpet—in the exact center of a perfect square of moonlight—and I begin to cry. The first sob is almost a scream.
I don’t know how long I’m there—at least fifteen minutes, since I manage to pretty much cry myself out. In the process I snot all over myself and completely ruin my fur shrug with mascara and face gunk. But at a certain point I become aware that there’s someone else in the room.
I get very still. Parts of the room are lost in shadow, but I can sense something moving at its periphery. A checkered sneaker flickers in and out of view.
“How long have you been standing there?” I ask, wiping my nose for the fortieth time on the back of my arm.
“Not long.” Kent’s voice is very quiet. I can tell he’s lying, but I don’t mind. It actually makes me feel better to know I wasn’t alone this whole time.
“Are you okay?” He takes a few steps into the room so the moonlight hits him and turns him silver. “I mean, you’re obviously not okay, but I just wanted to know if, you know, there’s anything I could do or something you want to talk about or—”