Home > Fade Out (The Morganville Vampires #7)(2)

Fade Out (The Morganville Vampires #7)(2)
Author: Rachel Caine

Shane pushed off and crossed the distance fast, pinning her in place with his hands flat against the wall on either side of her. Then he bent his elbows and leaned in and kissed her. The warmth spread from his lips to hers, then out in a rushing summer heat that moved over her entire body in a wave, and left her feeling as if she were glowing inside.

It went on a long time, that kiss. She finally put her palms flat against his chest with a wordless (and mostly weak) sound of pleading.

Shane backed off. "Sorry. I just needed something to get me through another eight hours of the exciting world of food service." He was working at Bryan's Barbecue, which wasn't a bad gig as jobs in Morganville went. He got all the barbecue he wanted, which meant a lot of free brisket and ham and sausage for the rest of them when he carted home a goody bag. The job also brought decent money, according to Shane, and as a plus, he got to use a sharp knife most of the day, carving meats. Apparently that was cool. He and some of the other guys practiced throwing them at targets in the back when the boss wasn't looking.

Claire kissed him on the nose. "Bring home some brisket," she said. "And some of that sauce. I've had enough chili dogs this week to last me a lifetime."

"Hey, my chili dogs are the best in town."

"It's a really small town."

"Harsh," he said, but he was smiling. The smile faded as he said very seriously, "You be careful."

"I will," she promised.

Shane played with knives, but she had the dangerous job.

She worked with vampires.

Claire's job was lab assistant to a vampire mad scientist, which never made sense when she thought of it that way, but it was still accurate. She hadn't meant to become Igor to Myrnin's Frankenstein, but she supposed at least it was a paying, steady job.

Plus, she learned a lot, which meant more to her than the money.

She'd been on job leave, with permission, for a couple of months while the vampires got themselves back together and fixed the damage that had been done - at least the physical damage - by the tornado that ripped through town. Or by the vampire war that had burned down part of it. Or by the rioting by the human population, which had left some scars. Come to think of it, the construction was going pretty well, all things considered. So she hadn't been to the lab for a while - today was, in Myrnin's words from his note, the "grand reopening." Although how you had a grand reopening of a hidden lair beneath a tumbledown shack, Claire had no idea. Was there cake?

The alley next to the Day House - a virtually identical twin to the Glass House where Claire lived, only with different curtains and nicer porch furniture - looked the same. The Day House was a shining white Victorian structure, and the alley was narrow, dark, and seemed to get narrower as you went along, like a funnel.

Or a throat. Ugh. She wished she hadn't thought of that.

The shack at the end of the alley - a leaning, faded wreck, tired and abandoned - didn't look any different, although there was a shiny new lock on the door. Claire sighed. Myrnin had forgotten to give her a key, of course. That didn't present much of a problem, though; she tested a couple of boards and found one that easily slid aside enough for her to crawl through.

Typical Myrnin planning.

Inside, most of the space was taken up by a set of stairs that went down, like a subway station. There was a bright glow coming up from it.

"There'd better be cake," she said, mostly to herself, and hitched her backpack higher on her shoulder as she headed down into the lab.

The last time she'd been here, it had been totally destroyed, with hardly a stick of furniture or a piece of glass left intact. Someone - most likely Myrnin himself - had gotten busy with a broom and maybe a dump truck to sweep out the mounds of shattered glass, scrapped lab equipment, broken furniture, and (worst of all, to Claire's mind) ravaged books. The place had always had a mad scientist-meets-Jules Verne flair to it, but now it really did - in a totally good way. There were new worktables, many of them wood and marble, and a few shiny metal ones. New electric lights had been installed to replace the odd collection of oil lamps, candles, and bulbs that Thomas Edison might have wired together; now they had indirect lighting behind elegant fan-shaped shields. Modern, but retro-cool.

The floor was still old flagstone, but the hole Myrnin had punched in it the last time she'd been here had also been repaired, or at least covered with a rug. She hoped there was something under the rug, but with Myrnin, you really could never tell. She made a mental note to poke it before she stepped on it.

Myrnin himself was shelving things in a new bookcase that must have been ten feet tall, at least. It came with its own little rolling ladder - no, as Claire looked around, she realized that the entire room was surrounded by the same tall bookcases, and the ladder was on a metal rail so it could slide all around. Neat. "Ah," her boss said, and looked down at her through the little square antique glasses perched on the end of his long, straight nose. "You're late." He was five feet up in the air, on the top step of the ladder, but he hopped off as if it were pretty much nothing, landed light as a cat on his feet, and straightened his vest with an absentminded little tug.

Myrnin wasn't especially tall, but he was just . . . strangely cool. Long, curling, lush black hair that fell to his shoulders. His face was vampire-pale, but it suited him, somehow, and he had the kind of sharp features that would have made him a star if he'd wanted to be in the movies. Big, expressive dark eyes and full lips. Definitely cover-model material.

If the lab was neater, so was Myrnin. He was still favoring old-timey clothes, so the coat was black velvet, and flared out and down to his knees. The ensemble also included a white shirt, bright blue vest, a pocket watch chain gleaming against the tight black satin pants, and . . .

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