Home > The Subtle Knife (His Dark Materials #2)(40)

The Subtle Knife (His Dark Materials #2)(40)
Author: Philip Pullman

His hand was throbbing brutally by this time, and the bandage was trailing loose. He wound it around as best he could and tucked the end in, and then went through into Sir Charles’s house completely and crouched behind the leather sofa, the knife in his right hand, listening carefully.

Hearing nothing, he stood up slowly and looked around the room. The door to the hall was half-open, and the light that came through was quite enough to see by. The cabinets, the bookshelves, the pictures were all there, as they had been that morning, undisturbed.

He stepped out on the silent carpet and looked into each of the cabinets in turn. It wasn’t there. Nor was it on the desk among the neatly piled books and papers, nor on the mantelpiece among the invitation cards to this opening or that reception, nor on the cushioned window seat, nor on the octagonal table behind the door.

He moved back to the desk, intending to try the drawers, but with the heavy expectation of failure; and as he did so, he heard the faint crunch of tires on gravel. It was so quiet that he half-thought he was imagining it, but he stood stock-still, straining to listen. It stopped.

Then he heard the front door open.

He went at once to the sofa again, and crouched behind it, next to the window that opened onto the moon-silvered grass in Cittàgazze. And no sooner had he got there than he heard footsteps in that other world, lightly running over the grass, and looked through to see Lyra racing toward him. He was just in time to wave and put his finger to his lips, and she slowed, realizing that he was aware Sir Charles had returned.

“I haven’t got it,” he whispered when she came up. “It wasn’t there. He’s probably got it with him. I’m going to listen and see if he puts it back. Stay here.”

“No! It’s worse!” she said, and she was nearly in a genuine panic. “She’s with him—Mrs. Coulter—my mother! I dunno how she got here, but if she sees me, I’m dead, Will, I’m lost—and I know who he is now! I remember where I seen him before! Will, he’s called Lord Boreal! I seen him at Mrs. Coulter’s cocktail party, when I ran away! And he must have known who I was, all the time . . . . ”

“Shh. Don’t stay here if you’re going to make a noise.”

She mastered herself, and swallowed hard, and shook her head.

“Sorry. I want to stay with you,” she whispered. “I want to hear what they say.”

“Hush now . . . ”

Because he could hear voices in the hall. The two of them were close enough to touch, Will in his world, she in Cittàgazze, and seeing his trailing bandage, Lyra tapped him on the arm and mimed tying it up again. He held out his hand for her to do it, crouching meanwhile with his head cocked sideways, listening hard.

A light came on in the room. He heard Sir Charles speaking to the servant, dismissing him, coming into the study, closing the door.

“May I offer you a glass of Tokay?” he said.

A woman’s voice, low and sweet, replied, “How kind of you, Carlo. I haven’t tasted Tokay for many years.”

“Have the chair by the fireplace.”

There was the faint glug of wine being poured, a tinkle of decanter on glass rim, a murmur of thanks, and then Sir Charles seated himself on the sofa, inches away from Will.

“Your good health, Marisa,” he said, sipping. “Now, suppose you tell me what you want.”

“I want to know where you got the alethiometer.”

“Why?”

“Because Lyra had it, and I want to find her.”

“I can’t imagine why you would. She is a repellent brat.”

“I’ll remind you that she’s my daughter.”

“Then she is even more repellent, because she must have resisted your charming influence on purpose. No one could do it by accident.”

“Where is she?”

“I’ll tell you, I promise. But you must tell me something first.”

“If I can,” she said, in a different tone that Will thought might be a warning. Her voice was intoxicating: soothing, sweet, musical, and young, too. He longed to know what she looked like, because Lyra had never described her, and the face that went with this voice must be remarkable. “What do you want to know?”

“What is Asriel up to?”

There was a silence then, as if the woman were calculating what to say. Will looked back through the window at Lyra, and saw her face, moonlit and wide-eyed with fear, biting her lip to keep silent and straining to hear, as he was.

Finally Mrs. Coulter said, “Very well, I’ll tell you. Lord Asriel is gathering an army, with the purpose of completing the war that was fought in heaven eons ago.”

“How medieval. However, he seems to have some very modern powers. What has he done to the magnetic pole?”

“He found a way of blasting open the barrier between our world and others. It caused profound disturbances to the earth’s magnetic field, and that must resonate in this world too . . . . But how do you know about that? Carlo, I think you should answer some questions of mine. What is this world? And how did you bring me here?”

“It is one of millions. There are openings between them, but they’re not easily found. I know a dozen or so, but the places they open into have shifted, and that must be due to what Asriel’s done. It seems that we can now pass directly from this world into our own, and probably into many others too. When I looked through one of the doorways earlier today, you can imagine how surprised I was to find it opening into our world, and what’s more, to find you nearby. Providence, dear lady! The change meant that I could bring you here directly, without the risk of going through Cittàgazze.”

“Cittàgazze? What is that?”

“Previously, all the doorways opened into one world, which was a sort of crossroads. That is the world of Cittàgazze. But it’s too dangerous to go there at the moment.”

“Why is it dangerous?”

“Dangerous for adults. Children can go there freely.”

“What? I must know about this, Carlo,” said the woman, and Will could hear her passionate impatience. “This is at the heart of everything, this difference between children and adults! It contains the whole mystery of Dust! This is why I must find the child. And the witches have a name for her—I nearly had it, so nearly, from a witch in person, but she died too quickly. I must find the child. She has the answer, somehow, and I must have it.”

“And you shall. This instrument will bring her to me—never fear. And once she’s given me what I want, you can have her. But tell me about your curious bodyguards, Marisa. I’ve never seen soldiers like that. Who are they?”

“Men, that’s all. But . . . they’ve undergone intercision. They have no dæmons, so they have no fear and no imagination and no free will, and they’ll fight till they’re torn apart.”

“No dæmons . . . Well, that’s very interesting. I wonder if I might suggest a little experiment, if you can spare one of them? I’d like to see whether the Specters are interested in them.”

“Specters? What are they?”

“I’ll explain later, my dear. They are the reason adults can’t go into that world. But if they’re no more interested in your bodyguards than they are in children, we might be able to travel in Cittàgazze after all. Dust—children—Specters—dæmons—intercision . . . Yes, it might very well work. Have some more wine.”

“I want to know everything,” she said, over the sound of wine being poured. “And I’ll hold you to that. Now tell me: What are you doing in this world? Is this where you came when we thought you were in Brasil or the Indies?”

“I found my way here a long time ago,” said Sir Charles. “It was too good a secret to reveal, even to you, Marisa. I’ve made myself very comfortable, as you can see. Being part of the Council of State at home made it easy for me to see where the power lay here.

“As a matter of fact, I became a spy, though I never told my masters all I knew. The security services in this world were preoccupied for years with the Soviet Union—we know it as Muscovy. And although that threat has receded, there are still listening posts and machines trained in that direction, and I’m still in touch with those who run the spies.”

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