Home > The Problem with Forever(32)

The Problem with Forever(32)
Author: Jennifer L. Armentrout

Rider turned off the car and unbuckled his seat belt. “It’s an old factory. Looks bad but it’s safe. Promise you.”

I glanced at the ominous building that seemed straight out of one of the ghost-hunting shows I liked to watch on TV. See? Ghost shows. I could’ve said I liked those in class. If anyone else said this place was safe I would’ve kept my butt in the car, but even with the four-year gap between us, I trusted Rider. I took off my seat belt and climbed out.

He joined me on the other side, slipping my keys into his pocket. The pavement we walked across was cracked, and weeds poked through the fissures. Large chunks were missing. I glanced up at the sky. The scent of rain was heavy in the air as we neared double doors with faded red paint.

“We’re not heading inside. Not today.”

There was going to be a later? An odd flutter took root in my chest. I ignored it, thinking it was a good thing that we weren’t going in. Mainly because I really didn’t need to add breaking and entering to skipping school on the fourth day.

Also, I was sure the place was haunted.

Reaching down, his warm fingers found mine. Startled, I tried not to trip as he took my hand and led me around the side of the building. A musty scent clung to the old brick walls. He didn’t talk as he led me around the side of the building, beyond long-forgotten Dumpsters. He headed to the left, and I saw several old stone picnic tables, and then the back of the building came into view.

I ground to a halt.

My lips parted in shock. I didn’t know where to look; there was so much color. Someone had transformed a decrepit gray wall into a living kaleidoscope of reds. Yellows. Greens. Purples. Blues. Blacks. Whites. Letting my eyes rove everywhere, I saw giant letters—random initials and words that didn’t look English. Then there were the murals. I could make out people and cars. Buildings and trains. All of it was spray-painted. Most of it put my soap figurines to shame. The talent implied by the intricacy of the letters and the detail in the faces was amazing. And to be able to do this with spray paint? I couldn’t even do it with a paintbrush and Diego Rivera guiding my hand.

I thought about the red smudges I’d seen on Rider’s fingers and I twisted toward him. Smiling a little, he let go of my hand and walked toward the decorated wall, his long legs carrying him halfway down the length of the building. He stopped in front of a painted young boy. I inched closer, folding my arms around my waist as he ran a hand over the shoulder of the dark-haired child. The detail was astonishing, down to the hands shoved into the pockets of worn jeans. The shirt was white and looked so real, so flimsy, that I expected it to blow right off the frail body. The boy was looking up at the graffiti above him, but it was the expression on the face that gutted me.

Hopelessness.

It was in his light brownish-green eyes. Devastation was caught in the line of the child’s mouth. It was in the way his brows were furrowed together and lifted up. The bleakness was so strong it was tangible. It clouded the air. I knew that look. I’d seen it. I’d felt it.

It said, would my life be like this forever? Was there no future any different than today?

“I got busted for tagging a couple of times,” Rider said, stepping back from the wall. He stuck his hands into the pockets of his frayed jeans, just like the child on the wall. “But this is one of the places where we’re allowed to do this without getting in trouble. Helps me clear my head. Don’t really think when I’m doing it.”

“This... You did this?”

“Yeah.”

Stunned, I stared at the boy. He had done this with a few cans of spray paint? Blown away, I slowly shook my head. Rider had always been talented. He’d doodled on any spare piece of paper growing up, but this was incredible. I couldn’t stop staring.

And I couldn’t stop the pressure squeezing my chest or the burn of tears clogging the back of my throat. I knew the tears wouldn’t fall. They never did. Not anymore, but I wanted to cry as I watched him, because I knew deep down, even if I didn’t want to admit it, that the sad, wrecked boy on the wall was Rider.

“Have you seen Graffiti Alley or the other warehouse?” Rider asked, referencing the locations where Baltimore’s graffiti artists could do their work without prosecution by the city.

I nodded. “I saw the Alley once.” I dragged my gaze away from him and scanned the wall. “It’s beautiful...like this place. That’s amazing. That you’ve done this.”

Rider lifted one shoulder. “It’s nothing.”

“It’s unbelievable.” I thought again about my soap carvings and almost laughed. “I can’t...do anything like this.”

He tilted his head to the side. “I could show you.”

I choked on a laugh. I was pretty sure that would be like handing a crayon to a toddler in the middle of a tantrum and telling them to color within the lines.

Facing me, he glanced up at the fat, rain-heavy clouds. “I mean, if you want me to. There’re other places where you can do it without getting in trouble.”

I looked back at the wall and tried to picture creating something so awe-inspiring. I would end up with a spray-painted stick figure. “I wouldn’t want to mess anything up.”

A lopsided grin appeared. “You wouldn’t. Promise.”

Unsure of that fact, I didn’t respond as my gaze trekked back to the painted child. I wondered if Rider had brought Paige here before. Immediately, I knew that was a stupid thought. Of course he had. They probably did this—the tagging—together.

“Is...is Paige into this?” I asked, and my cheeks warmed.

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