Home > Beautiful Darkness (Caster Chronicles #2)(7)

Beautiful Darkness (Caster Chronicles #2)(7)
Author: Kami Garcia

We never found Lucil e, and I never got the conversation with Link, or my dad, out of my mind. My house was quiet, which isn't what you want a house to be if you're trying to run away from your thoughts. The window in my room was open, but the air was as hot and stagnant as everything else today.

Link was right. Lena was acting strange. But it had only been a few months. She'd snap out of it, and things would be the way they were before.

I dug through the piles of books and papers on my desk, looking for A Hitchhiker's Guide to the Galaxy , my go-to book for taking my mind off things. Under a stack of old Sandman comics, I found something else. It was a package, wrapped in Marian's signature brown paper and tied with string. But it didn't have GATLIN COUNTY LIBRARY stamped on it.

Marian was my mother's oldest friend and the Gatlin County Head Librarian. She was also a Keeper in the Caster world -- a Mortal who guarded Caster secrets and history, and, in Marian's case, the Lunae Libri, a Caster Library fil ed with secrets of its own. She had given me the package after Macon died, but I had forgotten al about it. It was his journal, and she thought Lena would want to have it. Marian was wrong. Lena didn't want to see it or touch it. She wouldn't even let it into Ravenwood. "You keep it," she had said. "I don't think I could bear to see his handwriting." It had been col ecting dust on my desk ever since.

I turned it over in my hands. It was heavy, almost too heavy to be a book. I wondered what it looked like. It was probably old, made of cracked leather. I untied the string and unwrapped it. I wasn't going to read it, just look at it. But when I pul ed the paper away, I realized it wasn't a book. It was a black wooden box, intricately carved with strange Caster symbols.

I ran my hand over the top, wondering what he wrote about. I couldn't imagine him writing poetry like Lena. It was probably ful of horticultural notes. I opened the lid careful y. I wanted to see something Macon had touched every day, something that was important to him. The lining was black satin, and the pages inside were unbound and yel owed, written in Macon's fading spidery script. I touched a page, with a single finger. The sky began to spin, and I felt myself pitching forward. The floor rushed up to meet me, but as I hit the ground, I fel through it and found myself in a cloud of smoke --

Fires burned along the river, the only traces of the plantations that had stood there just hours ago. Greenbrier was already engulfed in flames. Ravenwood would be next. The Union soldiers must have been taking a break, drunk from their victory and the liquor they had pillaged from the wealthiest homes in Gatlin.

Abraham didn't have much time. The soldiers were coming, and he was going to have to kill them. It was the only way to save Ravenwood. The Mortals didn't stand a chance against him, even if they were soldiers. They were no match for an Incubus. And if his brother, Jonah, ever came back from the Tunnels, the soldiers would have two of them to contend with. The guns were Abraham's only concern. Even though Mortal weapons couldn't kill his kind, the bullets would weaken him, which might give the soldiers the time they needed to set fire to Ravenwood.

Abraham needed to feed, and even through the smoke, he could smell the desperation and fear of a Mortal nearby. Fear would make him strong. It provided more power and sustenance than memories or dreams.

Abraham Traveled toward the scent. But when he materialized in the woods beyond Greenbrier, he knew he was too late. The scent was faint. In the distance, he could see Genevieve Duchannes hunched over a body in the mud.

Ivy, Greenbrier's cook, was standing behind Genevieve, clutching something against her chest.

The old woman saw Abraham and rushed toward him. "Mr. Ravenwood, thank the Lord." She lowered her voice. "You have to take this. Put it somewhere safe till I can come for it." Pulling a heavy black book from the folds of her apron, she thrust it into Abraham's hands. As soon as he touched it, Abraham could feel its power.

The book was alive, pulsating against his palms as if it had a heartbeat. He could almost hear it whispering to him, beckoning him to take it -- to open it and release whatever was hiding inside. There were no words on its cover, only a single crescent moon. Abraham ran his fingers over the edges.

Ivy was still talking, mistaking Abraham's silence for hesitation. "Please, Mr. Ravenwood. I got no one else to give it to. And I can't leave it with Miss Genevieve. Not now." Genevieve raised her head as if she could hear them through the rain and the roar of the flames.

The moment Genevieve turned toward them, Abraham understood. He could see her yellow eyes glowing in the darkness. The eyes of a Dark Caster. In that moment, he also understood what he was holding.

The Book of Moons.

He had seen the Book before, in the dreams of Genevieve's mother, Marguerite. It was a book of infinite power, a book Marguerite feared and revered in equal measure. One she hid from her husband and her daughters, and would never have allowed into the hands of a Dark Caster or an Incubus. A book that could save Ravenwood.

Ivy scooped something from inside the folds of her skirt and rubbed it across the face of the Book. The white crystals rolled down over the edges. Salt. The weapon of superstitious island women, who brought their own brand of power with them from the Sugar Islands, where their ancestors were born. They believed it warded off Demons, a belief that had always amused Abraham. "I'll come for it, soon as I can. I swear."

"I will keep it safe. You have my word." Abraham brushed some of the salt from the Book's cover so he could feel its heat against his skin. He turned back toward the woods. He would walk a few yards, for Ivy's benefit. It always scared the Gullah women to see him Travel, to be reminded of what he was.

"Put it away, Mr. Ravenwood. Whatever you do, don't open it. That book brings nothin' but misery to anyone who messes with it. Don't listen to it when it calls you. I'll come for it." But Ivy's warning had come too late.

Abraham was already listening.

When I came to, I was lying on my back on the floor, staring at my ceiling. It was painted sky blue, like al the ceilings in our house, to fool the carpenter bees that nested there.

I sat up, dizzy. The box was beside me, the lid shut. I opened it, and the pages were inside. This time I didn't touch them.

None of this made sense. Why was I having visions again? Why was I seeing Abraham Ravenwood, a man who folks in town had been suspicious of for generations because Ravenwood was the only plantation to survive the Great Burning? Not that I believed much of anything the folks in town had to say.

But when Genevieve's locket triggered the visions, there had been a reason. Something Lena and I needed to figure out. What did Abraham Ravenwood have to do with us? The common thread was The Book of Moons. It was in the locket visions and in this one. But the Book was gone. The last time anyone had seen it was the night of Lena's birthday, when it was lying on the table in the crypt, surrounded by fire. Like so many things, it was nothing but ashes now.

5.17

All That Remains

When I went to school the next day, I sat alone with Link and his four sloppy joes at the lunch table. While I ate my pizza, al I could think about was what Link said about Lena. He was right. She had changed, a little bit at a time, until I almost couldn't remember how things used to be. If I had anyone to talk to about it, I knew they would say to give her time. I also knew that was just something people said when there was nothing left to say and nothing you could do.

Lena wasn't coming out of it. She wasn't coming back to herself or to me. If anything, she was drifting farther away from me than anyone else. More and more, I couldn't reach her, not on the inside, not with Kelting or kissing or any of the other complicated or uncomplicated ways we used to touch. Now when I took her hand, al I could feel was the chil .

And when Emily Asher looked at me from across the lunchroom, there wasn't anything left but pity in her eyes. Once again, I was someone to feel sorry for. I wasn't Ethan Wate Whose Mamma Died Just Last Year. Now I was Ethan Wate Whose Girlfriend Went Psycho When Her Uncle Died. People knew there were complications, and they knew they hadn't seen Lena in school with me.

Even if they didn't like Lena, the miserable love to watch someone else's misery. I had just about cornered the market on miserable. I was worse than miserable, lower than a flattened sloppy joe left behind on a lunchroom tray. I was alone.

One morning about a week later, I kept hearing a strange sound, like a grating or a record scratching or a page tearing, in the back of my mind. I was in history class, and we were talking about the Reconstruction, which was the even more boring time after the Civil War when the United States had to put itself back together. In a Gatlin classroom, this chapter was even more embarrassing than it was depressing -- a reminder South Carolina had been a slave state and that we had been on the wrong side of right. We al knew it, but our ancestors had left us with a permanent F on the nation's moral report card. Cuts that run that deep leave scars, no matter what you try to do to heal them. Mr. Lee was stil droning on, punctuating each sentence with a dramatic sigh.

I was trying not to listen, when I smel ed something burning, maybe an overheating engine or a lighter. I looked around the room. It wasn't coming from Mr. Lee, the most frequent source of any horrible smel in my history class. No one else seemed to notice it.

The noise grew louder, into a confusing blur of crashing -- ripping, talking, yel ing. Lena.

L?

No answer. Above the noise, I heard Lena mumbling lines of poetry, and not the kind you send someone for Valentine's Day.

Not waving but drowning ...

I recognized the poem, and it wasn't good. Lena reading Stevie Smith was only one step up from the darkest Sylvia Plath and The Bell Jar kind of day. It was Lena's red flag, like Link listening to the Dead Kennedys or Amma chopping vegetables for spring rol s with her cleaver.

Hang on, L. I'm coming.

Something had changed, and before it could change back, I grabbed my books and took off running. I was out of the room before Mr. Lee's next sigh.

Reece wouldn't look at me when I walked through the door. She pointed to the stairs. Ryan, Lena's youngest cousin, was sitting on the bottom step with Boo, looking sad. When I tousled her hair, she held her finger to her lips. "Lena's having a nerve breakup. We're supposed to be quiet until Gramma and Mamma get home."

That was an understatement.

The door was open a crack, and when I pushed on it, the hinges creaked, like I was walking into a crime scene. It looked like the room had been tossed. The furniture was upside down or busted up or missing altogether. The entire room was covered with pages of books, pages torn and ripped and plastered al along the wal s and ceiling and floor. Not a book was left on the shelf. It looked like a library had exploded. Some of the charred pages piled on the floor were stil smoking. The only thing I didn't see was Lena.

L? Where are you?

I scanned the room. The wal over her bed wasn't covered with the remnants of the books Lena loved. It was covered in something else.

Nobody the dead man & Nobody the living

Nobody is giving in & Nobody is giving

Nobody hears me but just Nobody cares

Nobody fears me but Nobody just stares

Nobody belongs to me & Nobody remains

No Nobody knows Nothing

All that remains are remains

Nobody and Nobody. One of them was Macon, right? The dead man.

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